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Rading 1: Read the following from Clark, Roger H., and Michael Pause. Precedents in Architecture. New York: Van Nostrand Reinhold, 1985. page xiii. Consider and be prepared to answer the question "Why do we study precedents?"
Reading 2: from Kleon, Austin. Steal like an Artist: 10 Things Nobody Told You about Being Creative. New York: Workman Pub., 2012. pp 21-23.
Reading 3: from Kleon, Austin. Steal like an Artist: 10 Things Nobody Told You about Being Creative. New York: Workman Pub., 2012.
Reading 4: The following steps of the design process are listed in the syllabus for the course. Be prepared to name all 5 and talk about what they are.
Reading 5: Read the following from Clark, Roger H., and Michael Pause. Precedents in Architecture. New York: Van Nostrand Reinhold, 1985. page 247. Consider and be prepared to answer the question "What is a formative idea?"
Reading 6: Read the following from Pallasmaa, Juhani. The Thinking Hand: Existential and Embodied Wisdom in Architecture. Chichester, U.K.: Wiley, 2010.
Reading 7: Excerpts from Thadani, Dhiru A. and Peter J. Hetzel. “Teaching Design Proecess.” Windsor Forum on Design Education. Eds. Stephanie E. Bothwell et al. New Urban Press, 2004. 279 & 280.
Reading 8: Read the following from Frederick, Matthew. 101 Things I Learned in Architecture School. Cambridge, MA: MIT, 2007. p. 31.
Reading 9: Read the following from Frederick, Matthew. 101 Things I Learned in Architecture School. Cambridge, MA: MIT, 2007. p. 29.
Reading 10: Read the following from Pallasmaa, Juhani. The Thinking Hand: Existential and Embodied Wisdom in Architecture. Chichester, U.K.: Wiley, 2010. p 73.
Alvar Aalto was a Finnish architect. Here is a link to one of his projects: http://www.dyergrimesarchitects.com/images/Alvar%20Aalto%20Blog.jpg
Reading 11: Read the following from Pallasmaa, Juhani. The Thinking Hand: Existential and Embodied Wisdom in Architecture. Chichester, U.K.: Wiley, 2010. p 74.
Reading 12: Read the following from Pallasmaa, Juhani. The Thinking Hand: Existential and Embodied Wisdom in Architecture. Chichester, U.K.: Wiley, 2010. pp 76-7.
Reading 13: Read the following from Frederick, Matthew. 101 Things I Learned in Architecture School. Cambridge, MA: MIT, 2007. p. 32.
Reading 14: Read the following from Frederick, Matthew. 101 Things I Learned in Architecture School. Cambridge, MA: MIT, 2007. p. 81.
Reading 15: from Kleon, Austin. Steal like an Artist: 10 Things Nobody Told You about Being Creative. New York: Workman Pub., 2012. pp 65 & 67.
Reading 16: from Kleon, Austin. Steal like an Artist: 10 Things Nobody Told You about Being Creative. New York: Workman Pub., 2012. pp 137-140.
Reading 17: from Botton, Alain De. The Architecture of Happiness. New York: Pantheon, 2006. pp. 44-5.
Front elevation, Castle Ward, Strangford Lough, 1767.
Rear elevation, Castle Ward, Strangford Lough, 1767.
Reading 18: Lidwell, William, Kritina Holden, Jill Butler, and Kimberly Elam. Universal Principles of Design: 125 Ways to Enhance Usability, Influence Perception, Increase Appeal, Make Better Design Decisions, and Teach through Design. Beverly, MA: Rockport, 2010. pp. 142-3.
Reading 19: from Pye, David. The Nature of Design. New York: Reinhold Pub., 1964. p. 26.
Reading 20: from Kleon, Austin. Steal like an Artist: 10 Things Nobody Told You about Being Creative. New York: Workman Pub., 2012. pp 18-21.
Reading 21. from: Jackson, Iain. The Architecture School Survival Guide. London: Lawrence King Publishing Ltd, 2015. p 150.
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