Reading 1. from: Zevi, Bruno. Architecture as Space; How to Look at Architecture. New York: Horizon, 1957. Pages 22-23.
Reading 2. from: Zevi, Bruno. Architecture as Space; How to Look at Architecture. New York: Horizon, 1957. (continuation from pages 23).
Reading 3. from: Zevi, Bruno. Architecture as Space; How to Look at Architecture. New York: Horizon, 1957. Pages 24-5.
Reading 4: Read the following from Frederick, Matthew. 101 Things I Learned in Architecture School. Cambridge, MA: MIT, 2007. p. 68 and 70.
Reading 5: Read the following from Pye, David. The Nature of Design. New York: Reinhold Pub., 1964. pp. 90-91.
Reading 6. from: Zevi, Bruno. Architecture as Space; How to Look at Architecture. New York: Horizon, 1957. pp. 29 & 30.
View of Piazza Navona, Rome, Italy, by Hendrik Franz van Lint. c. 1730.
Reading 7. from: Jackson, Iain. The Architecture School Survival Guide. London: Lawrence King Publishing Ltd, 2015. pp. 128 & 129.
Reading 8: Read the following from Programs and Manifestoes on 20th-Century Architecture. Cambridge, MA: MIT, 1990. p. 25.
Try to answer the question, "What did Frank Lloyd Wright mean by 'Organic Architecture' "?
Reading 9: From Tanizaki, Junichirô. In Praise of Shadows. (New Haven, Conn.): Leete's Island, 1977. pp 17-18.
Reading 10: From Tanizaki, Junichirô. In Praise of Shadows. (New Haven, Conn.): Leete's Island, 1977. pp 18-19.
Reading 11: From Bloomer, Kent C., and Charles Willard Moore. Body, Memory, and Architecture. New Haven: Yale UP, 1977. Quote appears in Architecture: Form, Space and Order, p. 211.
Reading 12: Frascari, Marco. Eleven Exercises in the Art of Architectural Drawing: Slow Food for the Architect's Imagination. London: Routledge, 2011. p. 85.
Palazzo Rucellia
Reading 13: from Botton, Alain De. The Architecture of Happiness. New York: Pantheon, 2006. pp 180-2.
Carl Frederik Adelcrantz, Sturehof Estate, near Stockholm, 1781
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